Yuqi Wang completed this short narrative film in 2022, paying tribute to mid-20th-century masters of surrealist cinema, such as Maya Deren. Deleuze points out in Cinema 2 that by dealing with the category of time-image, such as false relationships, false movements, irrational cuts, etc., one can indicate how thought merges with the chaos that triggers it. The film also extensively uses production techniques such as displacement and jump-cutting, linking images that are difficult to distinguish between actual and potential - the monster, the magical eye, the girl, the cup, the tea, the ruins, etc., thereby creating a surreal silence, and a dreamlike state where one is forced to shuttle back and forth between reality and 'reality', leaving one puzzled.